Kelsea Ballerini Celebrates Historic Number One
First time chart-topper talks dreams, Rihanna and pizza for a party celebrating “Love Me Like You Mean It”
After a great deal talk in 2010 about the absence of feminine presence on country radio, country’s newest hit female, Kelsea Ballerini, celebrated her first Number One, “Love Me Like You Mean It,” using a party Monday filled with awards and gratitude on Nashville’s Music Row.
More than simply her first Number One, the gold-certified “Love Me Like You Mean It” also marks the very first time a solo female has held radio’s top spot since 2013 (Carrie Underwood’s “Blown Away”), and yes it makes Ballerini among only 11 females in the past to notch a Number One together with her debut single.
Lively, light-hearted and romantic, the song rings true to a 21-year-old’s trials of love and was co-written by Ballerini with Josh Kerr, Forrest Glen Whitehead and Lance Carpenter. But rather than appearing within a scheduled writing session, the continent newcomer says her debut’s inspiration originated from an unlikely source — per night of eating pizza and paying attention to Rihanna’s “Take a Bow.”
“All of any sudden there we were so inspired through the swag as well as the sass she had just as one artist on that song,” Ballerini told Rolling Stone Country prior to a party. “I wasn’t even signed as a possible artist yet, but i was all determined to make a ‘sound’ to me together like a group, and this night marked a sluggish start it.”
For their part, her co-writers all agreed Ballerini’s sound is mainly of her making – that is something many young artists aren’t ready for yet.
“The biggest thing is she knows who she actually is and what sherrrd like to say,” said Kerr. “There are invariably ideas that will about, but she knows, ‘This is when I would say this and I have this style.’ It just is released of her naturally, that’s very unique. Not a good deal of people is capable of doing that.”
It seemed to be the first Number One for every of the co-writers, therefore, the party was brimming with industry colleagues, friends and relations. Held in the white-marbled lobby in the performing rights organization ASCAP’s headquarters, the party kicked off using a speech from Senior Creative Director Mike Sistad, who recalled first meeting Ballerini when she was only 15. The time wasn’t right back then, but after giving away a round of plaques signifying her and her co-writers’ achievement, Sistad said he fully supposed to be celebrating at more of these parties later on.
Celia Forehlig — the vp of publishing at Ballerini’s record label, Black River Entertainment — coaxed the initial round of tears from your singer, saying, “When your dreams becoming reality, mine be realized.” After sharing a heartfelt hug, Forehlig also given out a round of plaques, asking if maybe she should wait to them since countless were yet in the future.
“We’ll take ’em,” Kerr shot back having an eager smile.
Other plaques, trophies and medallions then arrived on the Country Aircheck, Country Radio Broadcasters and Country Music Association organizations, and ultimately it was time to hear in the writers themselves.
Love Me Like You Mean It by Kelsea Bellerini
Carpenter begun by thanking Ballerini for my child hard work, making the song in the market to fans and stereo and generally “busting her ass.” He was soon overcome by emotion. “Y’ll view a big ol’ country boy cry,” the Arkansas native joked, wiping away tears. “I’ll do cart wheels later to even out.”
Carpenter closed using a poignant thought on per night of firsts: “Dreams,” he was quoted saying. “If you may have ’em, chase ’em. If you don’t, get ’em. They becoming reality.”
Kerr also found himself overcome with emotion, saying, “I failed to think I could try this, but Celia just knew it i really enjoy seeing. . . We were eating pizza and enjoying Rihanna — even if it’s just country — now we’re here.”
And for Whitehead, special thanks and praise were for Ballerini.
“She besides blew me away being a songwriter, but once I got her behind a mic she made you’re feeling what she wrote,” said the song’s co-writer/producer. “That’s essential, because pretty girls carrying guitars on this town are extremely common, but pretty girls carrying an acoustic guitar that can write the hell out of an song thus making you believe it are extremely rare.”
A huge roar filled the bedroom as the budding star took the podium, and tears did start to well in her own eyes before she might even get her first sentence out.
“This is usually a room stuffed with dreamers,” said Ballerini. “And being dreamers you appear forward a good deal. You look to goals that you simply set and you peer forward to the first Number One, and you don’t often look back. Last night over a very un-glamorous red-eye flight from Las Vegas, I started looking back.”
Saying she spent a good deal of time considering her supporters and believers, the many demos, every one of the setbacks and every one of the struggle, she thanked her colleagues with humility and grace and ended that has a promise: “Right now I see a Wednesday night using a box of pizza and ‘Take a Bow’ around the radio, Forrest saying, ‘Kelsea, you’ll need a song with swag,’ and me saying ‘OK,'” she laughed. “It wasn’t likely to work, however it did. Thank you for already making looking back look so beautiful. And looking forward, I really only want to make you all proud.”
Ballerini’s second single, “Dibs,” is rising inside Top 35 on Billboard’s country airplay chart. She’ll be joining Dan + Shay this are seduced by the Just the Right Kind of Crazy tour.